This paper deals with the concept of alienation which is present in Kafka’s writings. “The Hunger Artist” is one of the best known and most discussed stories written by Kafka which displays the theme of alienation. The paper argues that alienation is a concept which originated in the philosophical discussions proposed by Hegel and which went through changes and started to be contextualised from a sociological perspective by Marx. The paper suggests that the short story entitled “The Hunger Artist” displays (...) the artist’s alienation which can be compared with the conceptualisations made by Marx. In order to examine this relation firstly, Kafka as an artist with the striking themes and style of his writings is covered deeply. Then, the concept of alienation as discussed by Marx is examined. The final section is spared for establishing a bridge between Marxist theory of alienation and Kafka as can be observed in “The Hunger Artist.”“For who would bear the whips and scorns of time,Th’ oppressor’s wrong, the proud man’s contumelyThe pangs of despised love, the law’s delay,The insolence of office, and the spurnsThat patient merit of th’ unworthy takes,When he himself might his quietus makeWith a bare bodkin?”. (shrink)

The year 2020 began with the world being controlled by a then-unknown force. This unknown force would later be called a coronavirus or Covid-19. Not a single country would be free from infection by this virus. We are petrified with astonishment when confronted with this disease. Initially, after admitting the reality, we started struggling with and revolting against this virus. Time has led us to the consideration of our existence. This pandemic inclines us to revisit the major themes in existential (...) philosophy discussed by Sartre in the Nausea and the philosophy of the absurd by Camus in The Myth of Sisyphus, The Plague, and The Stranger. The study addresses the concepts of anxiety, suffering, freedom, self-deception, absurdity, and choices. When confronted with the reality of the disease, we are shocked by an odd sensation like what Roquentin felt in his experience of nausea. This bizarre feeling brought an initial rejection, a self-deception followed by suffering, and a reflection of one's freedom. The concept of freedom leads us to certain decisions we make and the choices we are offered. The absurdity brought about by the pandemic is a reality that we must accept as it is. How would Sisyphus feel if he were living in the present? The struggle by Sisyphus can be our struggle now against a coronavirus. We feel condemned to roll a rock to the top of a mountain, a punishment that seems like 'futile and hopeless labor.' However, we are stronger than our rock. The paper presents a parallelism between our suffering during the pandemic and the sufferings of Sisyphus and Roquentin. (shrink)